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都柏林人 版權(quán)信息
- ISBN：9787040491128
- 條形碼：9787040491128 ; 978-7-04-049112-8
- 裝幀：一般膠版紙
- 冊(cè)數(shù)：暫無(wú)
- 重量：暫無(wú)
- 所屬分類：>>
都柏林人 本書(shū)特色
詹姆斯·喬伊斯對(duì)體制化的宗教和陳腐的道德都毫無(wú)敬意，因此他選擇了背井離鄉(xiāng)的生活。這本《都柏林人》匯集了他的短篇杰作，作品沖破了語(yǔ)言和文化上的隔閡，令人刻骨銘心。書(shū)中描摹世態(tài)的高超技法，隱而不露的嘲諷以及瞬間爆發(fā)的力量，對(duì)于渴望成為作家的人來(lái)說(shuō)，尤為引人注目。其中人物形形色色，有逃學(xué)的男孩、死了親人的老處女、思春的少女、狡詐的流浪漢等等。 《都柏林人》為英文版。
都柏林人 內(nèi)容簡(jiǎn)介
《都柏林人》是愛(ài)爾蘭作家詹姆斯·喬伊斯*負(fù)盛名的短篇小說(shuō)集，也是他現(xiàn)代小說(shuō)藝術(shù)的探索性作品。作品由15篇中短篇小說(shuō)組成，按創(chuàng)作意圖分為少年、青年、成年、社會(huì)生活場(chǎng)景四個(gè)部分，真實(shí)全面地展示了都柏林中下層市民肉體、精神“癱瘓”的社會(huì)現(xiàn)實(shí)，指出都柏林就是“癱瘓”的中心，是一部關(guān)于愛(ài)爾蘭的“道德史”。15個(gè)故事匯集起來(lái)，宛若一幅印象主義的繪畫(huà)，筆觸簡(jiǎn)練，錯(cuò)落成篇，浮現(xiàn)出蒼涼世態(tài)。凝結(jié)了作者對(duì)人生和社會(huì)的深刻思考，是作者畢生創(chuàng)作、思想上的重要組成部分！ 抖及亓秩恕窞橛⑽陌妗
都柏林人 目錄
The Sisters
An Encounter
Araby
Eveline
After the Race
Two Gallants
The Boarding House
A Little Cloud
Counterparts
Clay
A Painful Case
Ivy Day in the Committee Room
A Mother
Grace
The Dead
延伸閱讀推薦書(shū)目
An Encounter
Araby
Eveline
After the Race
Two Gallants
The Boarding House
A Little Cloud
Counterparts
Clay
A Painful Case
Ivy Day in the Committee Room
A Mother
Grace
The Dead
延伸閱讀推薦書(shū)目
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都柏林人 節(jié)選
It was Joe Dillon who introduced the Wild West to us. He hada little library made up of old numbers of The Union Jack, Pluckand The Halfpenny Marvel. Every evening after school we met inhis back garden and arranged Indian battles. He and his fat youngbrother Leo, the idler, held the loft of the stable while we tried tocarry it by storm; or we fought a pitched battle on the grass. But,however well we fought, we never won siege or battle and all ourbouts ended with Joe Dillon‘s war dance of victory. His parentswent to eight-o’clock mass every morning in Gardiner Street andthe peaceful odour of Mrs Dillon was prevalent in the hall of the house. But he played too fiercely for us who were younger and more timid. He looked like some kind of an Indian when he capered round the garden, an old tea-cosy on his head, beating a tin with his fist and yelling: “Ya! yaka, yaka, yaka!” Everyone was incredulous when it was reported that he had a vocation for the priesthood. Nevertheless it was true. A spirit of unruliness diffused itself among us and, under its influence, differences of culture and constitution were waived. We banded ourselves together, some boldly, some in jest and some almost in fear: and of the number of these latter, the reluctant Indians who were afraid to seem studious or lacking in robustness,I was one. The adventures related in the literature of the Wild West were remote from my nature but, at least, they opened doors of escape. I liked better some American detective stories which were traversed from time to time by unkempt fierce and beautiful girls.Though there was nothing wrong in these stories and though their intention was sometimes literary, they were circulated secretly at school. One day when Father Butler was hearing the four pages of Roman History, clumsy Leo Dillon was discovered with a copy of The Halfpenny Marvel. “This page or this page? This page? Now, Dillon, up. ‘Hardly had the day’... Go on! What day? ‘Hardly had the day dawned’... Have you studied it? What have you there in your pocket?” Everyone‘s heart palpitated as Leo Dillon handed up the paper and everyone assumed an innocent face. Father Butler turned over the pages, frowning. “What is this rubbish?” he said. “The Apache Chief. Is this what you read instead of studying your Roman History? Let me not lind any more of this wretched stuff in this college~. The man who wrote it, I suppose, was some wretched fellow who writes these things for a drink. I’m surprised at boys like you, educated, reading such stuff! I could understand it if you were... National School boys. Now, Dillon, I advise you strongly, get at your work or...” This rebuke during the sober hours of school paled much of the glory of the Wild West for me, and the confused puffy face of Leo Dillon awakened one of my consciences. ……
都柏林人 作者簡(jiǎn)介
詹姆斯·喬伊斯（James Joyce,1882-1941），愛(ài)爾蘭作家、詩(shī)人，二十世紀(jì)*偉大的作家之一，后現(xiàn)代文學(xué)的奠基者之一，其作品及“意識(shí)流”思想對(duì)世界文壇影響巨大。代表作品《尤利西斯》《芬尼根的守靈夜》《一個(gè)青年藝術(shù)家的畫(huà)像》。
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