�� �ۼ��ô�ݸ�������·�_�� 001 Avant��Propos��Canada��Francois roy Ԋ���؟�β��ǃH�H�����ҵİl�F 008 Narcissistic Self��Seeking Is Not the Sole Responsibility of a Decent Poet �~�Z���}·������������һ����ĵ��� 014 Word as Salt·An Alternative Human Paradise Made of Light ��һ�N���죺�ĺ���·���������W�����S�W·��˹ 022 To Create Differently�� From Juan Rulfo to Octavi Paz �����c�������ʯ 036 Heavenly Stones Made of Eagles Wings and Light Ԋ���c����ӿ�F�ijdz� 042 A City Hemmed in with Radiant Beams of Poetry ԊӰ��â�е�é�� 050 Du Fu’s Thatched Cottage��Both A Reality and A Legend ������Ԋ�茢���������еıډ����ϵK 054 I Believe Poetry Will Break Loose all the barriers and Obstacles �Ξ�Ԋ�ˣ��Ξ�Ԋ�� 058 Who Is a Poet? What Is Poetry? ���F���ČW��Ȼ�������g 064 Noble Literature Is Still of Interest and Moment Ԋ��������~������*���^������ 070 Why Good Poetry Still Matters? һ���Ї�Ԋ�˵ķ�����Y 076 The African Complex of a Chinese Poet �҂��r����Ԋ����� 086 A Legend of Our Time ��Ԋ���¾� 090 A Tribute to Poetry Ԋ��ı���������߅����•�� 094 Localized Poetic Writing and marginalized Voice ɽ����Ⱥ������ӛ���c�������е�߅��Ӱ�� 102 Existential Memory of Mountain Inhabitants and Marginalized Images Coming to the Rescue Ԋ��ͨ����Ԓ�c���а��;�� 108 Poetry as Access into Myth and Utopia Ԋ��Ҋ�C�vʷ�̈́���Ĺ��� 114 Poetry Can Anticipate a Bigger Influence in Human Society �҂����^�m��������������ľ��H 118 We Are Still Here��An Act Of Self��redemption For Mankind ���_���c����ʷԊ 124 Gesar and World Epics ������g�Ļ��� 136 Fantasizing in a Dreamland Ԋ���c��ʥ���h�� 140 Poetry and Pilgrimage ��Ԓ���h�W�q���h��������Ԋ�Թ��x 146 Mythology As the “Song of the Universe and the Music of the Spheres” Ԋ�˵Ă��w�����c����������R�Ĺ�ͬ؟�� 158 The Individual Writing of a Poet and the Common Responsibilities Facing Mankind Ⱥɽ��ӛ�����ʳɺ� 162 Memories of Our Earliest Beginnings Trickle All the Way down the Mountains ��Ԫ�������|�Ļ��c�ČW��������R 174 The Contemporary Culture of Plurality and a Writer’s Sense of Humanity �����ຣ�����������c�F�������Ӱ�� 206 Qinghai Travel��A Movable Feast of Sights and Sensations Guranteed �ຣ*�����������c�F���е��Ļ����⼰��Ʒ�� 220 Qinghai the Entrance into the Last Pure Land ���������ČW�Z���µ��Ї�Ԋ�ˌ��� 274 Chinese Poetic Writing in the Context of World Literature �҂����ɽ��,���A ���Ļ�• 286 Mountains Are Beckoning Us To Lend Them an Ear ̫ꖵ�ʹ�ߣ���صļ�˾——Ԋ�˰��� 298 Herald of Apollo and the Shaman of the Earth �ຣ�����HԊ�蹝:ͨ��������T�� 306 Qinghai Lake International Poetry Festival��A Door Opened to the World �ຣ�����HԊ�蹝���� 314 Manifesto of Qinghai Lake International Poetry Festival һ�����˵ĉ��� 318 A Yi Poet’s Dream ��������������R�ľ�����������ͬŬ�� 354 Striving to Reverse the Global Trend of Spiritual Decline ��Ѹ�c�҂��@���r�� 358 Lu Xun and Our Age ��ȫ���Z���³�Խ����ĸ������ČW�Ĺ�ͬ�� 364 Commonality in the Literature of Various Nationalities in the Context of Globalization ���h����ϣ��——�I�o��ϣ����������Q�� 372 The Eternal Alexander Sergeyevich Pushkin �R�W�����Ϻ�����Ԋ�����ڲ��� 378 The Fatal Charm of Giacomo Leopardi as a Poet �ҵ�Ԋ�裬����������Ϥ���ǂ��Ļ� 386 My Poetic Inspiration Rooted in the Daliangshan ,My Quantock Hills ���������Ԋ����Ҹ� 394 Some Are Numbered among the Blessed, Because of Poetry ��������.Ⱥ�w•��.������R 398 PersonalIdentity.Group Voice.Human Awareness ������¾���������Ԋ���¾� 408 A Salute to Rivers Is a Salute to Poetry ���1 Appendix 1 ���x���I�o���������ힸ衷���ϴ�W����Ȼ 412 Jidi Majia’s An Eulogy of World Indigenous People RevisitedLi Hongran, University of Hainan ȫ���Z������������Ԋ�˵��Z�Բ����׶�������W��˼�� 428 The Linguistic Strategy of Adopted by an Indigenous Poet in the Context of Globalization Wu Sijing, Capital Normal University ���2 Appendix 2 ����һ�е�Ԋ��۶��_˹���~��D���436 The All��Embracing Poesy��Russia��Yevgeny Yevtushenko �����R��——“��ɫ����”�ϵĂ���Ԋ��\[����\]�ܿ�·��ϣ��446 Jidi Majia��Nuosu Bard of the “Black River”��USA��Jack Hirschman ����ηȺɽ�����g��ӛ454 Translator’s Notes