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A SHORT HISTORY OF MODERN CHINESE LITERATURE-中國現代文學史略 版權信息
- ISBN：9787119065373
- 條形碼：9787119065373 ; 978-7-119-06537-3
- 裝幀：一般膠版紙
- 冊數：暫無
- 重量：暫無
- 所屬分類：>
A SHORT HISTORY OF MODERN CHINESE LITERATURE-中國現代文學史略 本書特色
《學術中國:中國現代文學史略(英文版)》是由外文出版社出版的。
A SHORT HISTORY OF MODERN CHINESE LITERATURE-中國現代文學史略 內容簡介
本書是中國現代文學史研究的奠基性著作，作者首次在研究中使用了“現代文學”這一稱謂，對中國現代文學研究成為一門獨立的學科做出了極大的貢獻。作者并不局限于以文論文，以詩論詩，而是筆涉文學，意寄興亡，從寬廣的歷史背景中，尋求和探索這一時期“文章得失升降之故”抒發出深沉的歷史感慨。
A SHORT HISTORY OF MODERN CHINESE LITERATURE-中國現代文學史略 目錄
chapter one
the may 4 movement and the rise and growth
of the modern literary revolution in china.
the contributions of lu hsun
section 1. the may 4 movement and the spread of
comrnunist ideas as the causes for the modern literary
revolution in china
seetion 2. the rise of the literary revolution and its
theoreticai foundation
section 3; the devei0pment of the theories of the
literary revolution
section 4. the struggle of the literary revolutionary
camp headed by lu hsun against feudal and right-
wing bourgeois literature
chapter two
the may 4 movement and the rise and growth
of the modern literary revolution in china.
the contributions of lu hsun
section 1. the may 4 movement and the spread of
comrnunist ideas as the causes for the modern literary
revolution in china
seetion 2. the rise of the literary revolution and its
theoreticai foundation
section 3; the devei0pment of the theories of the
literary revolution
section 4. the struggle of the literary revolutionary
camp headed by lu hsun against feudal and right-
wing bourgeois literature
chapter two
展開全部
A SHORT HISTORY OF MODERN CHINESE LITERATURE-中國現代文學史略 節選
《學術中國:中國現代文學史略(英文版)》是中國現代文學史研究的奠基性著作，作者首次在研究中使用了“現代文學”這一稱謂，對中國現代文學研究成為一門獨立的學科做出了極大的貢獻。作者并不局限于以文論文，以詩論詩，而是筆涉文學，意寄興亡，從寬廣的歷史背景中，尋求和探索這一時期“文章得失升降之故”抒發出深沉的歷史感慨。
A SHORT HISTORY OF MODERN CHINESE LITERATURE-中國現代文學史略 相關資料
China's national industry. The story woven around thischaracter is a complicated one fully reflecting the contradictions of the time. Among the things described arethe economically ruined countryside and peasant uprisings, the decline of national industry under the pressureof imperialist economic aggression, the capitalist exploitation of the workers, the Workers' protests and strikes,the all-powerful stock exchange, the life and quarrelsof the families of the capitalists, and so forth. Thecharacters include national capitalists, compradorcapitalists who are the brokers of the American imperialists, Communists leading the workers' movements,lackeys who organize "yellow" trade unions for thecapitalists, die-hards of the feudal society, loafing intellectuals of the petty bourgeoisie, women of the bourgeoisie, and workers and peasants. In all, Midnight,with its skilful weaving of all these characters and scenesinto one long, complicated story, was the first novel ofits kind in the history of Chinese literature.Through these many big, contradictory, and complexevents and characters, the author succeeded in realizinghis plan. He drives home one important truth and thatis that the imperialists, to save themselves from collapse,strengthen their hold on semi-colonial countries, makethem more and more colonial, and hold them back fromtaking the road to capitalism. For this reason the nationalindustry of semi-colonial and semi-feudal China was notonly unable to develop but had to accept imperialistcontrol and suffer imperialist encroachment. To savethemselves from ruin the national capitalists had to increase their exploitation of the workers on the one handand compromise with the feudal forces, give way to theimperialists, and act as compradors on the other.
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